Fahrenheit: Indigo Prophecy

Fahrenheit: Child of Indigo is a game for mobile devices running Android in the genre of a graphic quest with elements of interactive cinema and Action. In graphic terms, the game is almost the first representative of the graphic quest genre with an emphasis on the narrative element, as well as the almost complete interactivity of what is happening (adjusted for the technical capabilities of computers of that time).

Game Features

• Full interactivity: now gamers have the opportunity to feel the dramatic intensity of passion and reveal the main mystery of the game in a branded, mystical setting.
• Replayability: Greater freedom of action and dialogue leaves room for replayability with an alternate ending.
• Several main characters: during the storyline, the player will switch between four main characters, each of whom will cover the events of the game from the perspective of his own vision.
• Professional voiceover of dialogues.
• The cinematic style will haunt the player throughout the game, giving the illusion of being part of a full-length feature film.

Perhaps it was with Fahrenheit in the distant 2005 that the boom in interactive quests in the format of fiction films began. For the first time in the history of the genre, the developers, led by David Cage, skillfully combined the narrative element in the format of a full-fledged movie with the ability to control the main character on an ongoing basis (for example, it was possible, for example, to perform actions that were far from obligatory for the storyline, and to study the game locations more deeply). For example, one of the notable moments in the game is training Lucas Kane, who has received some superpowers, with a punching bag in the house.

But the main feature of Fahrenheit as an absolute hit and the legendary project was far from this: now, unlike the vast majority of quests, the player was nominally not limited in his actions�I was free to choose how to act in this or that situation. And a similar freedom of choice was always put before the player.

For example, at the very beginning of the game, the player controls an ordinary bank employee named Lucas Kane in an unremarkable eatery, and even then he is faced with a dilemma of choice: pay or not pay the bill, how to quickly get off the table to go to the toilet what to say to the people around you, and so on. Something incomprehensible happens in the toilet with Lucas, he goes into a trance, and kills an innocent person, led by someone's evil force. Realizing what has happened, Lucas is trying to quickly get rid of the evidence of the crime and leave the eatery unnoticed (and again the right to choose, freedom, where it is necessary to choose how Lucas will hide the knife, whether he will wash, how he will leave the eatery, how he will behave in front of the attendant staff, and so on). But the most interesting thing is not even that. In fact, the game has some semblance of nonlinearity, as well as the connection of events with the player's actions (for example, after Lucas Kane escapes from the crime scene, the player will switch to another character, Carla Valenti, a police officer who will investigate a crime in a diner , and try to find the clues that Lucas had hidden before). And on such intricacies, adjusted for a well-thought-out storyline, and deep interactivity, the entire gameplay of Fahrenheit is sharpened.

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